Entertainment

Aishwarya Rai returns to cinema with ‘Jazbaa’

A former Miss World and one of the most successful actresses in Bollywood, Rai Bachchan said the film stretched her as an actress, with each day posing new challenges to overcome.

“Every day when I come to work I kept saying, how am I supposed to wrap my head around the situation like this, on any human level?” the actress told Reuters at the Cannes Film Festival on Tuesday where “Jazbaa” made its debut.

“That to me just seemed tough, demanding, grueling, challenging and, thereby, so interesting.”

Rai Bachchan, 41, was named Miss World in 1994, often features on “most beautiful” lists and is one half of a Bollywood supercouple with actor husband Abhishek Bachchan, son of Bollywood star Amitabh Bachchan.

Her prolific Bollywood career includes hits such as “Hum Dil De Chuke Sanam” and “Devdas,” and she has also starred in Hollywood movies such as “The Pink Panther 2.”

“Jazbaa” (Passion), directed by Sanjay Gupta, is the first acting project for Rai Bachchan after she welcomed her first child in 2011.

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Director Sanjay Gupta and actress Aishwarya Rai Bachchan pose during a photocall for the film ‘Jazbaa’ at the 68th Cannes Film Festival in Cannes. PC: Reuters

 

Gupta said the actress tapped into a “very raw” performance that drove the film, in which a lawyer and single mother (Rai Bachchan) “has to do the impossible” to get her kidnapped daughter back. “Life of Pi” actor Irrfan Khan also co-stars.

At Cannes this year, the subject of women’s role in cinema has been a hot topic. Rai Bachchan herself co-chaired a U.N.0backed panel to discuss the issue on the sidelines of the festival, where she has previously served as a jury member.

She said “Jazbaa” was a strong female drama, but didn’t want that to distract from the main content of the film.

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Aishwarya Rai Bachchan poses during a photocall for the film ‘Jazbaa’ at the 68th Cannes Film Festival in Cannes. PC: Reuters

 

“We don’t want necessarily things being bracketed as female-centric – by doing that you are marginalizing the female protagonist, so don’t label it, don’t marginalize it, don’t define it as being different,” the actress said.

“Recognize it as being part of the broader cinematic experience. We all belong, all our subjects and stories too.” -Reuters

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