The Hitman’s Wife’s Bodyguard nabbed the top spot on box office charts, debuting with $11.6 million from 3,331 US venues over the weekend.
The Lionsgate movie, a sequel to the 2017 action-comedy The Hitman’s Bodyguard, opened on the big screen on Wednesday and has collected $17 million to date. However, the film cost nearly $70 million to produce so it could face challenges turning a profit in theaters.
Starring Salma Hayek, Ryan Reynolds, and Samuel L. Jackson, The Hitman’s Wife’s Bodyguard is one of the rare post-vaccine era movies to play exclusively in theaters. Opening weekend crowds were mostly older men, with 55% of ticket buyers identifying as male and 66% over the age of 25.
As the only new nationwide release, the poorly reviewed The Hitman’s Wife’s Bodyguard didn’t have much competition to claim No. 1 in North America.
Falling not far behind, Paramount’s A Quiet Place Part II slid to second place with $9.4 million in ticket sales, representing a mere 22% drop from the weekend prior. After four weeks in theaters, the film – directed by John Krasinski and featuring Emily Blunt – has generated a strong $125 million to date.
Elsewhere on box office charts, In the Heights, director Jon M. Chu’s adaptation of Lin-Manuel Miranda’s hit Broadway musical failed to sustain crowds in its second weekend of release. The acclaimed film fell to the No. 6 spot with $4.3 million in revenues, a brutal 62% decline from its inaugural outing.
In the Heights, which is currently playing on HBO Max, has amassed $19.8 million on the big screen to date. At this rate, the $55 million-budgeted movie will struggle to climb out of the red.
In third place, Sony’s family film Peter Rabbit 2: The Runaway collected $6.1 million in its sophomore frame, bringing its domestic tally to $20.3 million through Sunday. The film has done notably better business overseas, with ticket sales hovering at $70.5 million.
The Warner Bros. horror movie The Conjuring: The Devil Made Me Do It and Disney’s 101 Dalmatians prequel Cruella will duke it out for fourth and fifth place once final figures are tallied on Monday.
According to Sunday estimates, both films brought in $5.1 million over the weekend. The former, which is being offered on HBO Max, has pulled in $53.5 million at the U.S. box office. The Emma Stone-led Cruella, which is available on Disney Plus for a premium $30 rental fee, has made $64.7 million in the US and $95.2 million overseas.
In a box office milestone, Godzilla vs. Kong became the second COVID-era release to cross the $100 million mark at the domestic box office. It took the monster mashup over a month and a half to surpass that milestone. Overseas, the movie has taken in $342 million for a global haul of $442 million.
As the box office attempts to rebound from a tough 18-month period, Universal’s Fast and Furious sequel F9 is expected to provide a much-needed shot in the arm to theater operators. Already, the high-octane tentpole is nearing the $300 million mark internationally with ticket sales currently at $292 million.
