Autistic adults being trained for Hollywood careers

LOS ANGELES – A powerful scene in the action epic “Gladiator II” had one big problem: a camera crew was visible behind actor Paul Mescal as his character prepared for ​a high-stakes battle. Jack Zimmerman, a visual effects artist, erased the intrusion to help create the desired movie magic.

Zimmerman works at Exceptional Minds, a nonprofit ‌vocational academy and visual effects studio for adults with autism. The organization provides training to help autistic artists launch careers in the competitive world of Hollywood.

“It feels like a dream,” Zimmerman said of being a part of “Gladiator II.” “I’ve always wanted to work on a feature film like this.”

Autism is a neurodevelopmental condition that affects social interactions, behavior and how the brain processes the world. It ranges in severity and can present challenges in ​the workplace. While many people with autism successfully hold jobs, the U.S. unemployment rate for autistic adults is estimated at around 40%, according to a study published in ​the National Library of Medicine in 2017.

Exceptional Minds – the only full-time, post-secondary program of its kind in the U.S. for artists on the ⁠autism spectrum – was created to give high school graduates with autism the skills they need to perform meaningful work.

“Autistic artists should be able to work in the field they want to ​work in,” said CEO Lauren DeVillier, a former Disney and Sony executive and the parent of a neurodivergent daughter. “We are training to put these graduates to work. We want them integrated ​into the studio system and working in the workplace alongside everyone else.”

WORKING ON METICULOUS TASKS

Many graduates of the three-year program gain experience in the Exceptional Minds visual effects and animation studio, where they work under the supervision of seasoned professionals for clients including Walt Disney, Netflix and Sony. Exceptional Minds artists have contributed to 19 Oscar-winning or nominated films including “Avengers: Endgame” and “Star Wars: The Last Jedi,” plus dozens of TV shows ​such as “Game of Thrones.” They have worked on every Marvel movie since 2015.

Alumni also have been hired at Marvel, the Cartoon Network, Nickelodeon and elsewhere.

Yudi Bennett, an assistant director and production ​manager on films such as “Broadcast News” and “Kramer vs. Kramer,” co-founded Exceptional Minds 15 years ago. She and other entertainment-industry parents worried about what would happen to their autistic children after high school, when many ‌services to help them ⁠adapt end.

Today, the organization trains about 250 autistic adults each year through courses in visual effects and animation. A video game arts curriculum is scheduled to begin in the fall.

Class sizes are kept small, and instructors are trained in how to adjust timelines or otherwise accommodate the needs of students with autism.

On a recent weekday at the Exceptional Minds offices and classrooms, alumni sat in front of computers working on visual effects while students in another room honed their drawing skills.

Graduate Lily Yllescas discussed how she painted fall colors on trees and removed wires from scenes in the new ​season of “Bridgerton.”

“When you see it, it will look ​so seamless. But really when you’re ⁠working on it, there’s so many little things you have to pay attention to,” she said.

The meticulous tasks suit many people with autism, students and alumni said.

“Depending on your level of it, you might be able to be more precise,” said student Deirdre Mills. “And sometimes you might ​be able to catch details that others might not be able to see.”

TEACHING SOCIAL SKILLS

Alongside technical skills, Exceptional Minds teaches how to ​thrive socially at work, ⁠something that can be challenging for people with autism.

“We do mock interviews (to) get us comfortable talking to people, talking about our work, building our confidence,” said student Alex Abrusia. “I’ve grown a lot because of that.”

Exceptional Minds handles the end credits for Marvel Studios films. Jeff Willis, Marvel’s director of credits and administration, said the studio’s work was “on par with anyone else in town” and the artists tackled ⁠creative challenges ​well.

In the credits for “The Fantastic Four: First Steps,” Marvel wanted to have the number 828 expand to become 8/28/1917, the ​birthday of comic book artist Jack Kirby. It was a small detail that thrilled fans. “They just knocked it out of the park,” Willis said.

Co-founder Bennett said she was proud that Exceptional Minds had changed the lives of young adults.

“The ​graduates have gone out and moved into their own apartments. They’ve gotten driver’s licenses, they’ve bought cars,” she said. “They’ve done things that were considered impossible.”